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Relationship with Dutch literature Any consideration of the Dutch-language literature of Belgium must take into account that the Belgian territories were broadly united with the Netherlands politically, economically, and culturally untilwhen, as a result of the Reformationthe northern Reformed provinces seceded from the Roman Catholic south.
Thus until the early 17th century the literature of Flanders and Holland must be considered as a whole see Dutch literature.
It was in Flanders that the literature of the medieval Low Countries flowered most profusely. It was, moreover, in Flanders and Brabant that learning showed new vigour under the influence of the Renaissance and the Reformation. In literature inspired by the Reformation the tone was set by the glowing satiric verse of the Catholic Anna Bijns and the polemical satireBiencorf der H.
The Renaissance in the Netherlands began with Lucas de Heere, Carel van Manderand Jan Baptista van der Nootall of whom, significantly, had fled from the south for religious reasons.
Decline Many left the south before as a result of the regional religious and political troubles, and the budding literary revival in Flanders and Brabant was interrupted. Whereas Holland was approaching its golden age, in the south a decline set in. The decline was most noticeable in the early 18th century, when the aristocracy and intellectual elite came increasingly under French influence.
Revival Before the end of the 18th century, however, Willem Verhoeven and Jan Baptist Verlooy had started a reaction against this French influence.
Like contemporary historical and scientific writers they reverted to the work of the 16th-century humanists but neglected the medieval masterpieces. Revival was helped by the rederijkers rhetoricians; see rederijkerskamerwho continued, more or less successfully, to use Dutch, not French.
The poet Pieter Joost de Borchgrave embodied the transition from Classicism to Romanticism, and Jan Baptist Hofman, a prolific playwright, introduced middle-class sentimental tragedy, or drame bourgeois.
To their group belonged two important poets of the new age, Karel Lodewijk Ledeganck and Prudens van Duyse. The younger generation was more spontaneously Romanticas was illustrated by the work of Hendrik Consciencecreator of the Flemish novel.
Theodoor van Rijswijck and Johan Alfried de Laet freed poetry from classical concepts and forms, and the ultra-Romantic stories of Eugeen Zetternam and Pieter Frans van Kerckhoven denounced social evils.
Realism and other post-Romantic trends Led by a Realist, Domien Sleeckx, a reaction against Romanticism set in about Their work shuns sentimentalism, didacticism, and over-idealization, opting instead for an everyday language, real-life settings, and the exploration of individual psychology.
Running parallel to this reactionary Realism was a remarkable revival in poetry in West Flanders, headed by Guido Gezellea Roman Catholic priest who was the greatest Flemish poet of the 19th century.
He displayed his unique linguistic virtuosity in evocative nature poems and a highly personal lyricism. Albrecht Rodenbach wrote militant songs, thoughtful lyrics, monumental epics, and the verse tragedy Gudrun The 20th century The turn of the 19th century The writers grouped around Van Nu en Straks helped to bring about a revival and internationalization of Flemish culture.
Though they held a wide variety of opinions, they all strove for an art that would comprehend all human activity, and in which individual feelings would be given universal significance.Free Essays on Review Of Related Literature Of Student Portal for students.
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